Date Released : 15 January 1953
Stars : Toshirô Mifune, Hisako Yamane, Sô Yamamura, Fubuki Koshiji." />
Movie Quality : HDrip
Format : MKV
Size : 700 MB
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The midnight murder of a rancher and his wife leaves circumstantial evidence pointing the finger of guilt toward a married couple, George Braden and his wife Ellen, who live and work on the ranch. George confesses to the killings in order to free his wife from hours of grilling by the police. Despite the best efforts of his defense attorney, Doug Madison , George gets the death penalty. Sunsequent events and his sympathy for Ellen convince Doug that George is innocent but he must find the real murderer to prove it. His man-hunt leads to a former hired hand, Max Verne. With the help of the latter's greedy girl friend, Gracie Sanger, Max is found and admits to the killings. But when a hearing is held, a psychiatrist pronounces him unsound of mind but harmless and the judge sets him free. After the governor rejects Doug's pleas for an appeal for George, the townspeople turn against him, and his fiancée, Paula Mitchener), misconstrues his association with Ellen and breaks their engagement...
Far From Great But Gripping Anyway
This is far from the best Don Siegel movie. But, despite flaws in writing and acting, it's gripping and moves along, keeping the viewer on the edge of his or her seat.
Nothing is really credible. Theresa Wright as an itinerant farmer's wife? Actors with pronounced New York accents as menacing rednecks? And something about the script seems truly sub-par. The dialogue is not grammatical and this is not a matter of simulating regional speech or signifying class. The dialogue is just not well written.
The music, too, is strangely self-contradictory. At first it is pure schmalz, and Don Siegel is not the man for romance, even if it's romantic noir. Then a theramon is introduced and it sounds better.
Despite quibbling on my part, it's an engrossing movie. Believable? Not exactly. But, if one cuts it some considerable slack, it works well as a suspenseful kind-of noir.

A woman who believes her missing husband is in prison in Hawaii on a murder charge travels there to see if it actually is him. However, he escapes before she sees him, when he hears that his current girlfriend has been murdered. The wife searches the slum area of Honolulu known as Hell's Half Acre for him, he searches for his girlfriend's killer, and his gangland associates are looking for the two of them.
Film Noir in Hawaii? It works.
This little gem of a film noir B movie is about a woman trying to track down her long lost husband in Hawaii after the War (WWII) where he was supposed to have died. In the process she finds herself in the middle of an underworld power struggle. Beautifully filmed in Hawaii with Ms. Keyes really working those facial expressions, as she tended to do. The film is tight, cynical and at times redeeming. Just a good little film.

The biography of the Bandleader Glenn Miller from his beginnings to his death over the English Channel in December 1944, with a lot of his arangements, partly in an authentic cast.
Glenn Miller Story-Forever in the Mood ***
Glenn Miller's rise to fame and the tragedy that took him from us at the height of his career makes for a wonderfully entertaining film.
This film is rich because of the wonderful performances of James Stewart as the band leader and June Allyson, the latter was just made for the picture. She captures the depth of a devoted wife and we all can just cry with her when her happiness was ended so suddenly.
Naturally, the supporting cast of musicians and scenes with Frances Langford, Louis Armstrong and Gene Krupa are just wonderful.
We view Miller from humble beginnings to stardom, the old-fashioned Hollywood Way-he earned it by hard work and perseverance as he went through life looking for that sound.
My main flaw with this film. Just like Miller's life, it ended too suddenly. It could have gone on and on while we all danced the night away in tribute to this find musician.
Ever Harry Morgan's tear in the end tells you what this was all about.

Eddie Darrow has been hired by Philadelphia mobster Barney Pendleton to locate Christine Lawrence (Eddie's ex-lover and widow of Barney's former associate) and bring her home. Eddie tracks her down in Macao, where he saves the life of casino owner Justin Keet, then finds that Christine is engaged to marry Justin. Life gets awfully complicated...
Rudolph Maté's rehash of older, better movies makes a decent enough second-feature
Even leftovers can be tasty. Rudolph Maté's Forbidden is a stir-fry composed of elements from several movies of the previous decade; Casablanca and To Have and Have Not are in the mix, but the dominant flavors are Macao and Gilda (on which Maté served as director of photography). And while there's nothing fresh about it, it staves off hunger for a feast of film noir at least for a little while.
Tony Curtis comes to Macao, port of intrigue, on a mission: To locate Joanne Dru, widow of a slain Philadelphia gangster, and bring her back to America (she knows too much). Interests in the City of Brotherly Love chose Curtis because he and Dru were once a hot item; nonetheless, they had him followed by another operative (Marvin Miller, probably best remembered as the unseen John Beresford Tipton's secretary on TV's The Millionaire).
On his way into the Lisbon Club, which Dru's known to frequent, Curtis fends off a murderous attack on its owner (Lyle Bettger), who professes indebtedness and takes him back home to meet his fiancée Dru. Jagged flashes of lightning alert us that the romance has rekindled. The rest of the movie relates Curtis' attempts to wrest Dru away from Bettger (who plays the George Macready role from Gilda).
There's many an expected slip twixt cup and lip, however. Every clandestine conversation draws unseen eavesdroppers, bringing to mind Charlie Chan's sagacious warning: `Two ears for every mouth.' Thoughts of Chan also appear in the person of Victor Sen Yung, his #2 son in many movies, who plays the Dooley Wilson/Hoagy Carmichael role (from Casablanca and To Have and Have Not, respectively) as a piano player at the Lisbon Club who knows his away around the unknown Macao and puts himself at Curtis' disposal. But just when the imperilled couple think they're home-free, Bettger resurfaces with his shark's-maw smile....
Forbidden looks good, as one would expect from Maté, but it keeps a good pace as well (Maté's D.O.A. had to keep up with Edmond O'Brien's speed-walking, but his The Dark Past and Union Station had their longueurs). It breaks no new ground in the noir cycle, but, as a second-feature, it's decent enough.

Avery Bullard, President of the Tredway Corporation has died. But he never named a clear successor, so the Board members must choose a replacement. The most likely is Loren Shaw, a skilled businessman, but some of the others don't like his calculating ways. But to stop him, they'll have to find someone else they can back. Will it be the engineer Don Walling? That will take convincing, they don't trust his youth and idealism. And he isn't even sure he wants the job, he might be happier creating rather than politicking.
Absorbing drama of corporate struggle for top executive position...
Robert Wise has taken Cameron Hawley's expose of big business shenanigans and turned it into a smart, well-paced melodrama with some superb performances from a highly polished cast--William Holden, Barbara Stanwyck, Walter Pidgeon, Fredric March, June Allyson, Paul Douglas, Shelley Winters and Nina Foch.
Fredric March comes on strong as the most ambitious candidate while Dean Jagger underplays as the weakest. Another who is remarkable in showing restraint for a change is Shelley Winters as Douglas' girlfriend who wishes he had more backbone. Barbara Stanwyck does some fireworks in a strong scene with William Holden but does a restrained piece of acting at the final board scene where she sits and listens as Holden takes command of the situation. Here she reveals without saying a word what a fine actress she is.
While most of it is given the glossy MGM treatment, the settings look realistic and there are some real shots of busy Manhattan streets and buildings. One MGM factor is missing--there is no background music, not even under the credits--remarkable for a film of this period. Somehow, it doesn't matter--and the film hasn't dated much at all. What it has to say about big business still holds true.
Nina Foch is excellent as an executive secretary and fully deserved her Academy Award nomination.

Its 1853 and the Gadsden Purchase has just brought part of Mexico into the United States. An Army Major has been sent to Tucson to make peace with the Indians. He is successful with Cochise, the Apache leader, but Cochise is unable to get the Comanches to agree. The Apaches then turn back a raid by the Comanches. There is a man in Tucson that wants the Indian war against the Americans to continue and when a stray Army rifle is found and it kills Cochise's woman, it appears the Apaches will break the peace treaty.
Positively Cleopatra like
Sam Katzman formerly of Monogram Studios probably could not believe the budget he had with Columbia Pictures for Conquest Of Cochise. Color and location shooting. I can hear him saying I know I'm not at Monogram any more.
This story about Cochise takes place as the USA has formally taken over the Gadsden Purchase in 1853, the last bit of continental USA that we acquired. The Mexicans sold it to us for a tidy sum, it was mostly desert and its largest city was a desert settlement that was called Tucson. But it did sit across a possible southern continental railway route and we bought it for that purpose.
Now to enforce some law there because Cochise and his Chiracahua Apaches rule most of that bit of turf with Comanches occasionally raiding in there as well. That's what Major Robert Stack of the US Cavalry is sent there to do, make a treaty. Of course there are forces who don't want a treaty made.
Nevertheless Stack goes to negotiate with Cochise who is played most impressively by John Hodiak.
Broken Arrow which is set post Civil War has a lot of similarities and an actor who got great acclaim for playing Cochise. Jeff Chandler got an Oscar nomination for his performance. Broken Arrow got a far bigger budget than Conquest Of Cochise. Still what Hodiak did should have gotten more acclaim.
Conquest Of Cochise was not a bad film and for a Sam Katzman production its positively Cleopatra like.

Jim Gay loves his racing greyhound but, out of town, he finds a dog with a better chance to win. His friends bet on his dog while he bets against.
Have A Go
This film stars Wilfred Pickles who was famous on the radio for his programme "Have A Go".This film about greyhound racing is only of marginal interest.However of more interest are the many familiar faces who pepper the cast list.There is Petula Clarke,still a Rank starlet.Peter Butterworth in this early association with Peter Rogers before the days of the Carry Ons and Jon Pertwee before the days of Wurzel Gummidge.Many of the rest of the cast such as Megs Jenkins and Harold Goodwin are familiar from TV and small parts in films.The best thing that can be said about this film is don't expect too much and you wont be disappointed.

Cleopatra è una donna bellissima ma ha un piccolo difetto: quando un ufficiale della guardia le piace, dopo una notte d'amore lo fa avvelenare dal fido Tortul perchè Marcantonio non lo venga a sapere. Cesarino è un ufficiale nuovo, non ancora al corrente del piccolo vizio di Cleopatra e subito accetta di fare la guardia alla regina. Quando entra non trova però la vera sovrana, ma Nisca, una schiava sua sosia che il perfido Tortul aveva scovato per permettere a Cleopatra di andare in incognito da Marcantonio. Ma, passata la prima notte, la vera Cleopatra torna...
Italian romp in ancient Egypt
Okay, this movie is certainly not one of the best Italian epics of the time. However it certainly isn't either one of the horrible sword and sandal of the "Gli Schiavi piu forti del mondo" reputation. The sets and the costumes are very good, Sophia Loren is exquisite, Alberto Sordi looks bloody stupid. I did not manage to understand exactly what was going on, but still it was great fun watching it. I know there was Cleo who used to spend nights with soldiers and poison them the following morning; then one night she wanted to go and meet Mark Anthony and leaves a look alike back at the palace. A silly officer falls in love with her, mistaking her for Cleo. Cloe comes back from her night-time romp and (naturally) does not recognise the officer who swears will love her to death. Somehow someone attempts to murder the queen, but fails. I think Sordi kills the queen at the end by banging her head to a wall, but it is not clear what happens. He manages to escape with the look-alike. Understood? Anyway, Sophia Loren here is at her sexiest and funniest - she manages to make people laugh without acting silly like Sordi - it is an art in itself. Certainly not a memorable film, but still worth seeing just for kicks.

An American insurance investigator is sent to Rhodesia to investigate the mysterious death of a diamond broker who drowned whilst diving off the coast. The broker was insured for $1 million so the insurerers are suspicious.
Dana Andrews & Jeanne Crain in African safari
Interesting adventure in which Dana Andrews plays an insurance investigator who goes to Africa to check out the death by drowning of a man ( David Farrar ) who had a million dollar insurance policy. Also looking for info regarding the allegedly dead man is his wife, Jeanne Crain. Pretty fast paced drama, the last portion of the film set in the African jungle. Dana Andrews & Jeanne Crain were one of the great film pairings. Besides this film, they were also in State Fair, Madison Avenue, and Hot Rods to Hell. I had seen this film as a kid & it had kept me on the edge of my seat. It doesn't get much play these days--but I did find a DVD thru a collector. Seeing the film again was a thrill.

Mediterranean ferryboat captain Henry St James has things well organized - a loving and very English wife Maud in Gibraltar, and the loving if rather more hot-blooded Mistress, Nita in Tangiers. A perfect life. As long as neither woman decides to follow him to the other port.
A true comic delight....
It is difficult to choose among the many comic films put out by the Ealing Studios in the 50's & 60's, but The Captain's Paradise ranks right up there. Alec Guinness is at the top of his comic form as the smug Captain Saint James, whose deviously constructed 'paradise' comes crashing down around him. The story, like all the best comedies, is really a morality tale, with the captain getting his comeuppance, but, in the end, still foxily escaping final judgement. A sparklingly witty script and fine ensemble acting make this one a must-see for devotees of British comedy. I never tire of watching this one.

Returning to New Orleans, following four years of army service in Texas in the 1840s, Captain Vance Colby finds his father, a professional gambler, has been killed. The police tell him his father was killed while caught cheating in a card game by Andre Rivage, an arrogant young dilettante. Vance protests that his father was an honest gambler and never used marked cards, but the police inspector tells him there were witnesses. Aided by a riverboat owner, Captain Barbee, and his daughter, Melanie, Vance sets out to clear his father's name and avenge his death.
Iron Mistress, Mississipi Gambler, Count of Monte Cristo
If you take the main characters from "The Iron Mistress" (1952), and "The Mississipi Gambler" (1953), which are the gambler, the noble brother and the proud sister, and add the story of the Count of Monte Cristo you will have this film. It could have been a flop, but having Irving Wallace to do the screenplay made quite a difference. Dale Robertson is Vance Colby that comes back from the war and besides almost getting killed, finds out that his father, a notorious gambler has been murdered at the casino. His mission becomes to kill every man that took part in the murder of his father. This film came out surprisingly good, as good as the two others that inspired it, and on a much lower budget. Dale Robertson gives good performance as Colby, Debra Paget a bit out of character. I rate it 8 out of 10.


Biographic movie about the American composer Sigmund Romberg.
A neglected MGM musical gem
DEEP IN MY HEART is one of the last of the great MGM Musicals, and almost unknown today. This is too bad, because it contains some wonderful musical numbers: Cyd Charisse at her most spectacular in a number from THE DESERT SONG, Gene Kelly and his brother Fred as song-and-dance men, Jose Ferrer doing a surprising one-man-show routine that is astonishing, as well as a charming song and dance with opera star Helen Traubel. It is supposedly based on the life of famed composer, Sigmund Romberg, and it is presented in typical MGM glossy style, but this was a composer of great melodies who deserved the plush treatment. This is a top-flight production that is well worth watching. You'll see additional numbers by Ann Miller, Howard Keel, Jane Powell and Rosemary Clooney!

In post-war London, upper-middle class barrister John Lomax and his wife Barbie decide after several years of constant bickering to divorce. They underestimate the effect of their announcement on their three children, who assume that family friend Bill Ogden is to blame. Uncle Bill may indeed be waiting in the wings, but it's all hardly his fault.

All is not really well between the boys of Gymnasium and the boys of the six-form High School: sparks fly when they get within 100m of each other! The continuous feud between the pupils is only one of the pleasant alternations, which life brings into the everyday school life. In addition, there are the rehearsals for the school theatre; and there are the secrets around a teacher called 'Justus' and a man called 'Nichtraucher' or the "non-smoker" since he lives in an abandoned non-smoking railway carriage. Moreover, in between all the exciting surprises, a few serious things remain to be done...
Still worth watching today
Unlike some other German movies of the 1950s, this one is still worth watching. It is a true adaptation of Erich Kästner's children's' novel of the same name. The author did not only write the screenplay himself , but also appears in the first and last scene and provides the narrator's voice in several scenes. With a cast of prominent German actors of the time, notably Paul Dahlke and Paul Klinger, and budding rock'n'roll star Peter Kraus in his first movie role, the movie tells the story of the "Tertia" students (7th/8th grade) in a small town boarding school, who continue a "prehistoric" feud with the boys from a neighbouring school. Woven into this narrative are questions of honesty, courage, loyalty, friendship - and money issues, which never lack in Kästner's books. The boys also write and perform a play about the lessons with their favourite teacher, Johannes Böck called Justus (the just one) and moreover manage to bring him back together with a long-lost childhood friend. I was astonished to see the very good acting of the child actors, among them now famous German director Michael Verhoeven. Even though it's sometimes obvious that painted scenery is used and the editing is somewhat less varied than what we're used to these days, the movie never seems dated in a way that makes it an effort to watch - quite the contrary!